female imprints

Where are the women of music history who composed music for my instrument? This concert program is a quest to find them and let their works resound and also to tell their stories: under which circumstances did they compose? How did they get the opportunity to express themselves artistically? How did they live?

I approach these figures between the poles of original compositions and my own arrangements, creating a connection between the centuries that I consider a bridging between women at different stages of music history: an artistic search for traces and imprints with the aim of making lost voices heard again.